Nuclear Energy Is A Viable Source Of Energy - 980 Words

A much as nuclear power is a viable source of energy, it has some setbacks. The radioactive waste produced by the reactors need to be disposed off properly since they can be overly hazardous and may leak some radiations if not properly stored. Such forms of waste emits radiations from few to very many years. These emissions are deemed to harm the future generations greatly. The storage of the radioactive waste has been a major hindrance to the expansion programs. Thus, this essay aims at discussing that nuclear energy production is not a viable means of supplying the energy needs. The radioisotopes found in the nuclear wastes have a long life. This means that they may stay in the atmosphere in some ways or the other. In essence, this makes the soil and water to be contaminated. The mixed wastes cause chemical reactions and may lead to dangerous complications. The wastes are usually buried deep in the earth surface. However, the residues can be used to make deadly weapons of mass destruction. As much as nuclear energy is environmentally friendly, it is still prone to accidents. Some measures have been put in place to prevent accidents. However, the risk of more recent Fukushima has ben an associate to nuclear energy. Smaller radiations can leak and may have devastating effects. The symptoms are inclusive of vomiting, nausea, diarrhea and fatigue. On one way, it may solve the energy problems but we must be careful not to solve one problem and create another problem (Durrani Show MoreRelatedNo Amount Of Monetary Resources : A Transition Away From Fossil Fuels, An d Towards Renewable Energy Essay1031 Words   |  5 Pagestowards renewable energy is required. To achieve this goal, deep and fundamental institutional changes are necessary. The main institutional obstacle that is blocking a transition to renewable energy is the oil sector. 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While fission is involved in nuclear bombs, the process in each are both different. The ‘fuel’ used forRead MoreEssay On The World In 20501215 Words   |  5 PagesThe World in 2050: Energy Climate Change Overview: Successfully reducing the effects of climate change to meet the goal set by the Paris Agreement, to keep warming well below +2ËšC (relative to pre-industrial temperatures), requires implementing policies that allow people the autonomy to be creative, enjoy life, and do what they desire to do, while at the same time, limiting the amount of global warming (â€Å"Energy,† 2017). The issue: Implementing policies that will successfully meet the goal setRead MoreEssay about America Needs Nuclear Energy547 Words   |  3 PagesAmerica Needs Nuclear Energy There are many power sources that can be utilized for our everyday lives; to heat our homes , run our toasters, and light our hallways. Most of that power either directly or indirectly comes form the sun(such as solar energy and fossil fuels). But one energy source that derived by the pure ingenuity of man is nuclear power. As with all power sources there are positive and negative externalities. For example: the burning of fossil fuel releases SOX andRead MoreNuclear Energy Is Worth It?1663 Words   |  7 Pagesknown for his involvement in nuclear fission with his famous equation, e=mc2. This has led to the development of nuclear energy, an amazing source of energy with some potentially lethal side effects. But is nuclear energy worth it? I’m here today to tell you that yes, nuclear energy is worth it, and to discuss how it can benefit society as a whole. We will begin with how nuclear energy came about, and how it compares to fossil fuels, the most predominant form of en ergy production. Then, we will moveRead MoreAtomic Power And Nuclear Power1041 Words   |  5 Pages(31/10/15) https://www.duke-energy.com/about-energy/generating-electricity/nuclear-how.asp http://www.explainthatstuff.com/how-nuclear-power-plants-work.html http://www.diffen.com/difference/Nuclear_Fission_vs_Nuclear_Fusion http://www.explainthatstuff.com/powerplants.html http://www.popularmechanics.com/science/energy/a8914/why-dont-we-have-fusion-power-15480435/ http://energyinformative.org/nuclear-energy-pros-and-cons/ http://www.triplepundit.com/special/energy-options-pros-and-cons/fusion-power-pros-cons/Read MoreA Pale Grass Blue Butterfly s Wings Flit958 Words   |  4 Pagesthirty-kilometer radius around the Chernobyl nuclear power plant. The struggling butterfly aligns itself with the dismal scenery to create an abhorrent disparity. The butterfly also provides a startling metaphor. Just as the wings beat to the theoretical concepts of the butterfly effect, so do the repercussions of the Chernobyl disaster. With every pulse comes a new tragedy, extending perpetually into the future for â€Å"at least 20,000 years† (Harrell 1). Today, nuclear power is considered a potential alternativeRead MoreNuclear Power : An Alternative Energy Source1463 Words   |  6 PagesNuclear power is an alternative energy source with the visage of being clean and reliable, but also dangerous. Nuclear power as an energy source emerged after 1956, and is formed in a process called nuclear fission, in which a n ucleus of an atom is split resulting in a large output of usable energy (World Nuclear Association). The decision to pursue the path of nuclear energy and to what extent is a highly debated topic in which experts are forced to weigh the risks and the rewards. The outcome of

Critical Discourse Analysis ( Cda ) - 1507 Words

Critical Discourse Analysis (CDA) is an interdisciplinary approach, which has been further developed on the basis of Discourse Analysis (DA) since 1970s. The insights have been expanded into a broader range of social, cultural, psychological and political practices. It is regarded as the textual study aiming to elucidate the abuses of power residing in the texts by analyzing linguistic/semiotic remarks in accordance with the existing (social, political, cultural, etc.) contexts in which those texts circulate (Wodak: 2001, 1-2; Fairclough: 1995; Huckin, Andrus, and Clary-Lemon: 2012, 107; Rashidi and Souzandehfar: 2010, 56; Economou: 2009, 42). As many linguists and scholars’ engagement with the study of CDA, there already has been several schools or genres with their representative figures. Although the history and development of CDA study is still a bit premature and there is no distinct framework of wide-recogonition, according to van Dijk (2007), there are mainly four appro aches to it: 1) the Critical Linguistics (CL) developed by Fowler et al. (1979; 1991; 1996), Kress (1985); sociocultural/socio-semiotic approach proposed by Fairclough (1985; 1988; 1989; 1992; 1995; 2003; 2006); discourse-historical created by Wodak (1996, 2001) and Wodak et al. (1999); and sociocognitive approach introduced by van Dijk (1998, 2001, 2002) (Rashidi, Souzandehfar: 2010, 56-57; Economou: 42). CL is considered originally being introduced by Fowler et al. in their book of Language andShow MoreRelatedA Critical Discourse Analysis ( Cda ) And Argumentation Theory860 Words   |  4 Pages The current empirical study constitutes a critical discourse analysis of part of the discourse that surrounds the New Caledonian independence issue. 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What events are reported is not a reflection of intrinsic importance of those events, but reveals the operation of a complex and artificial set of criteria for selection† (p. 2). â€Å"The news media select events forRead MoreCritical Discourse Analysis1347 Words   |  6 Pages2.1. Critical Discourse Analysis (CDA): 2.1.1. What is CDA? 2.1.1.1. Critical, discourse and analysis Before beginning to address what CDA is, it is important to be clear about what is meant by the concepts of critical, discourse, and analysis: The notion of ‘critical’ is primarily associated with the critical theory of the Frankfurt School where social theory should be oriented towards critiquing and changing society. In CDA, the concept of ‘critical’ is appliedRead MoreThe Dialectical Relational Approach ( Dra ) For Da Emerged As A Problem Oriented Interdisciplinary Research Approach952 Words   |  4 Pagesapproach) DA approaches; drawing from several older approaches. For text analysis, his approach was based on Systemic Functional Linguistics or Hallidain approach (SFL); sociologically he drew from Gramsci, Althusser, Foucault and Bourdieu. He proposed that there is a dialectical relationship between discourses as meaning-making or semiotic elements of social life, and language is just one of the semiotic modalities, discourse can take (Harvey, 1996). Wodak and Meyer (2009: 163) explain Fairclough’sRead MoreObserver, Single Theory Studies812 Words   |  4 Pagesobservation instruments can coordinate well together, combining CA with other research instruments might be inherently problematic (Ten Have, 1990). Drawing from the principles of CA, the researcher is aware tha t CA takes an emic trajectory towards data analysis. Recordings are CA’s basic data and â€Å"CA resolutely refuses to accept the analytic relevant of respondent validation†(Richards et al., 2012:301). 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It reflects the prevailing values of a society in a particular historical context and simultaneously shapes the society in return (Fowler, 1991/2013). Although we cannot simply suggest anRead MoreAn Analysis Of The Calgary Herald1196 Words   |  5 PagesCalgary is the largest metropolitan area in the province and it is where the majority of Canada’s oil companies are headquartered. As such, the Herald’s readership is made up of people whose lives revolve around oil and are key players in the public discourse on oil and the environment. In light of this, the Calgary Herald plays a role in supplying the frames, metaphors, and storylines about oil that reach the public. This in turn, affects reader’s percepti ons and attitudes and potentially influencesRead MoreExample Research: Critical Discourse Analysis9514 Words   |  39 Pages18 Critical Discourse Analysis TEUN A. VAN DIJK 0 Introduction: What Is Critical Discourse Analysis? Critical discourse analysis (CDA) is a type of discourse analytical research that primarily studies the way social power abuse, dominance, and inequality are enacted, reproduced, and resisted by text and talk in the social and political context. With such dissident research, critical discourse analysts take explicit position, and thus want to understand, expose, and ultimately resist social inequalityRead MoreNew Caoleia Case Study997 Words   |  4 PagesThe study has adopted a novel approach to CDA by using linguistic tools such as Systemic Functional Grammar and Pragma-Dialectics, as well as insights from postcolonialism and poststructuralism to explore the impact of power and ideology on language use and social or political practice in the New Caledonian decolonisation process. Not only was linguistic evidence adduced to show how the French dominant powers employ a common destiny rhetoric to manipulate the other groups into accepting that New

Shakespeare †Romeo and Juliet Act 3 Scene 1 Analysis Free Essays

Romeo and Juliet Coursework In Act 3 Scene 1 of Romeo Juliet, Shakespeare raises the excitement and the tension throughout the scene by using dramatic tension between the characters, provocative and threatening dialogue, strong language effects, and sharp vital violence. The scene begins with Benvolio and Mercutio coming on to stage, with Benvolio suggesting they should go home in case they meet the Capulets and the violence ensues. â€Å"The day is hot, the Capels are abroad, And if we meet we shall not scape a brawl, for now, these hot days, is the mad blood stirring. We will write a custom essay sample on Shakespeare – Romeo and Juliet Act 3 Scene 1 Analysis or any similar topic only for you Order Now This pathetic fallacy and strong image of mad blood creates an expectation in the audience of violent events to come. This expectation seems to be met fulfilled quickly as Tybalt enters with other members of the Capulet family and some servants and immediately a dramatic tension is established between the two factions. We are shown that Mercutio is in a difficult frame of mind. â€Å" ‘By my head here comes the Capulets’ ‘By my heel, I care not. ’ † Clearly Mercutio is in an aggressive mood. Tybalt addresses Mercutio and Benvolio. ‘Gentlemen, good den, a word with one of you’ † Up to this point, Tybalt is courteous – his quarrel is with Romeo, not with Benvolio or Mercutio. However Mercutio is extremely provocatice and he responds to Tybalt, asking a word with one of them with, â€Å"Make it a word and a blow. † The audience feels there is a fight in prospect. When Tybalt says that Mercutio consorts with Romeo, Mercut io sees an insult where there is none. â€Å"Consort? what, dost thou make us minstrels? an thou make minstrels of us, look to hear nothing but discords: here’s my fiddlestick; here’s that shall make you dance. Zounds, consort! † A gentleman cannot accept being compared to a lowly musician, but this is not what Tybalt meant and the audience feel expectation of fear and violence. Now Romeo enters, and now the focus of the tension shifts as a dramatic tension is established between Romeo and Tybalt. Tybalt says to Mercutio: â€Å"Well, peace be with you sir, here comes my man. † It is strange that Tybalt is prepared to swallow such provocation from Mercutio, just as Romeo will soon swallow his. Tybalt puts Romeo in a situation in which almost no gentleman could refuse to fight. â€Å"Thou art a villain. † he says but Romeo does not respond with aggression. Now a new element of intrigue and excitement comes with a kind of dramatic irony. The audience knows why Romeo does not want to fight Tybalt –they have just become relatives- but the other characters do not know. Romeo seems quite unmanly when instead of fighting Tybalt for his honour he swallows the insult, saying â€Å"I do protest I never injuried thee, But loved thee better than thou canst devise. Again the audience knows, can â€Å"devise†, the reason, but Mercutio sees it as cowardice. Now the excitement moves up a notch as Mercutio starts the violence and we are to have the sword fight the audience has been expecting. Mercutio condemns Romeo’s peaceful ways. â€Å"O calm, dishonourable, vile submission! Alla stoccata carries it away. (Draws) Tybalt, you rat-catcher, will you walk? â₠¬  The ‘vile submission’ shows what a humiliation Mercutio believes Romeo is accepting; the insult ‘rat catcher’ makes it almost certain Tybalt will have to fight. Now the sword play begins, and the audience not only have the excitement and great dramatic action of two fighters trying to kill each other but also the sight of Romeo trying to stop the fight for the reasons only he and the audience know. With a tragic irony it is Romeo’s efforts to separate the two men that give Tybalt the chance to stab Mercutio, a friend of Romeo’s on the Montague’s side. Now the audience has put in suspense wondering whether Mercutio is going to die or not. Romeo raises their hopes that he may live. (â€Å"Courage man, the hurt cannot be much. ); but Mercutio seems to know that he is a dead man. â€Å"A plague o’ both your houses! They have made worms’ meat of me: I have it, And soundly too: your houses! † The dramatic and terrifying image of worm’s meat makes Mercutio’s last words very powerful; and his cursing of the Capulets and the Montagues shows that he blames their useless feud for his death. The s cene now takes another turn as Romeo puts aside all thought of peace, and becomes warlike. Benvolio tells him that Mercutio is dead, and Romeo decides on revenge in spite of his marriage to Juliet. This day’s black fate on more days doth depend; This but begins the woe, others must end† The audience is put on more suspense with this foreboding of more strife and death. Tybalt returns, perhaps to continue his quarrel with Romeo but strangely this time, alone and Romeo resolves on violence. â€Å"Away to heaven, respective lenity, And fire-eyed fury be my conduct now! † With the passion of this language and the dramatic tension once again onstage between Romeo and Tybalt, the scene approaches its climax. Tybalt declares that he will send Romeo’s soul after Mercutio’s. â€Å"Thou, wretched boy, that didst consort him here, Shalt with him hence. † The audience understand that either Tybalt or Romeo must die. Now we have the second sword fight in this scene and this is the climax. As Romeo kills Tybalt he takes his revenge for Mercutio’s death, he gets rid of his main enemy in the Capulet camp, and he puts his relationship with the love of his life in grave danger – this is the peak of the excitement and tension. Now Shakespeare lets the audience relax a little as Benvolio explains what has happened and the Prince orders Romeo exile but not death. From foreboding at the very beginning of the scene to mortal insults and provocation, to sword fighting and death, to the audience’s realization that something terribly wrong has happened to Romeo and Juliet’s romance Shakespeare uses a wide range of dramatic and language devices to make the scene one of the exciting and enormous tension. How to cite Shakespeare – Romeo and Juliet Act 3 Scene 1 Analysis, Papers

Even In Her Earlier Poems, Sylvia Plath Displays An Unhealthy Preoccup Essay Example For Students

Even In Her Earlier Poems, Sylvia Plath Displays An Unhealthy Preoccup Essay ation with sex, madness, morbidity and obscurity. Discuss. There seem to be a number of common themes running through all of Plaths poems, which encapsulate her personal attitudes and feelings of life at the time she wrote them. Of these themes, the most prevalent are: sex, madness, morbidity and obscurity. The whole concept of sex to Plath appears to be a very disturbed and resentful one. This is conveyed strongly through the poem Maudlin (a poem about self-pity) in which Plath evokes her bitterness toward masculinity with the aid of the two characters, the Virgin and Jack. Jack is described as having a crackless egg and being navel-knit (ie: cold hearted and impregnable). He is given an arrogant, macho image too: With a claret hogshead to swig, he kings it. Plaths sourness becomes apparent when Jacks lifestyle of luxury is compared to the repressed and disturbed life of suffering which the sleep-talking virgin leads. The idea of sleep-talking evokes her pain and suffering, leaking from her subconscious. Her torment does not end on the inside however, according to Plath who describes further physical and mental torture endured by women who painfully beautify themselves for the pleasure of men like Jack: at the price of a pin-stitched skin fish-tailed girls purchase each white leg. Furt hermore, Plath justifies the virgins choice to endure the pain: The sign of the hag (the virgins fear of aging). Another poem which is strongly sexually orientated, but in a more mechanical and lustful sense, is Night Shift. The brute physicality conveyed through onomatopoeia in the poem impregnates the feeling of primeval sexuality in which violence is interlaced. This overall effect arises as a result of the images conjured up by words and phrases such as, heart, beating, drumming up, sound, ground, pounding, thudding source, vertical tonnage of metal and wood; stunned the marrow, greased machines. Her feelings toward this kind of intensely physical experience appears to be one of oppression arising from the males pleasure and females pain. It is this bitterness toward males, which has been re-echoed here as in Maudlin. Plaths second obsession is with madness. The clearest example of this is found in Miss Drake Proceeds to Supper. The paranoia, constant delusions and obscure perceptions described in the poem convey a deranged fear, which has arisen as a result of her insanity. The tortuous and enigmatic adjectives used to describe furniture (knotted table and crooked chair) illustrates the obscurely twisted perception of Miss Drake as she clumsily lifts one webbed foot after the other, pretending she is a duck, her bird-quick eye cocked askew. The paranoia conveyed as she edges with wary edge through the perilous needles which grain the floorboards and outwit their brambled plan, clearly shows her fear which is exacerbated from the impression given that she is small and vulnerable, footing sallow as a mouse. This and her detailed observation of the furred petals almost incites sympathy for her as this mad woman is ambushed and panic stricken by the bright shards of broken glass. Another disillusioned idea that Miss Drake has is that she is important. This is first noticed in the title, which grandly encapsulates a mad woman stumbling to tea in a mental institution but is reverberated through, No novice in those elaborate rituals and the fact that she is wearing purple (a royal colour). The question that needs to be asked is whether Plath is sympathetic or mocking Miss Drake. By depicting her as a feeble woman being ambushed by splinters in the floor, one might be tempted to assume that Plath is sympathetic toward Miss Drake, but having considered the banal diction and lack of emotion and lyrical phrasing, it seems that Plath is more scornful than compassionate. The concept of morbidity is another commonly found subject found in Plaths poetry. In Suicide off Egg Rock, Plath draws us into the mind of a man as he jumps off a cliff into the sea. All of the scenes that this man sees as he falls are pictured as incredibly ugly and painful, reflecting his state of mind and his perceptions. Images such as the hotdogs split and drizzled, children were squealing, he smoldered, as if stone-deaf and everything shrank in the suns corrosive ray are offensive and agonizing, thus helping the reader appreciate and relate to his pain and punishment, which is described as a machine to breathe and beat forever. Ochreous salt flats, gas tanks, factory stacks, his blood beating the old tattoo, a mongrel working his legs to a gallop hustled a gull flock to flap off the sandpitt, his body beached with the seas garbage and flies filing in through a dead skates eyehole are all ugly and unnatural images with an intensely negative undertone and a feeling of self-loathing. .uab59e5cea706f03bd4f754fc2e9a87f0 , .uab59e5cea706f03bd4f754fc2e9a87f0 .postImageUrl , .uab59e5cea706f03bd4f754fc2e9a87f0 .centered-text-area { min-height: 80px; position: relative; } .uab59e5cea706f03bd4f754fc2e9a87f0 , .uab59e5cea706f03bd4f754fc2e9a87f0:hover , .uab59e5cea706f03bd4f754fc2e9a87f0:visited , .uab59e5cea706f03bd4f754fc2e9a87f0:active { border:0!important; } .uab59e5cea706f03bd4f754fc2e9a87f0 .clearfix:after { content: ""; display: table; clear: both; } .uab59e5cea706f03bd4f754fc2e9a87f0 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uab59e5cea706f03bd4f754fc2e9a87f0:active , .uab59e5cea706f03bd4f754fc2e9a87f0:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uab59e5cea706f03bd4f754fc2e9a87f0 .centered-text-area { width: 100%; position: relative ; } .uab59e5cea706f03bd4f754fc2e9a87f0 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uab59e5cea706f03bd4f754fc2e9a87f0 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uab59e5cea706f03bd4f754fc2e9a87f0 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uab59e5cea706f03bd4f754fc2e9a87f0:hover .ctaButton { background-color: #34495E!important; } .uab59e5cea706f03bd4f754fc2e9a87f0 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uab59e5cea706f03bd4f754fc2e9a87f0 .uab59e5cea706f03bd4f754fc2e9a87f0-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uab59e5cea706f03bd4f754fc2e9a87f0:after { content: ""; display: block; clear: both; } READ: Italian Renaissance (511 words) EssayWith this view of life, it is quite possible to understand why this man wants to kill himself. Yet at the end, just before he hits the sea, Plath suddenly twists the whole poem on its head by saying, the forgetful surf creaming on those ledges. By adding this beautiful phrase at the end, Plath includes a cruel irony: after searching for so long for something positive and being unable to find it, he finally sees something possibly worth living for. All of Plaths poems contain some kind of obscurity but Resolve is the most interesting as it centres around making common images appear obscure. When two water drops poise on the arched green stem of my neighbors rose bush as a milk-film blurs the empty bottles on the windowsill, it is unclear how these two things are connected until one realises that they arent meant to be related. It is this random obscurity that Plath seems to be obsessed with in Suicide off Egg Rock, where the man sees many obscure images as he falls and is rippled and pulsed in the glassy updraught.